Ezra Pound Controversy - Essay - eNotes.com.
Ezra Pound, in full Ezra Loomis Pound, (born October 30, 1885, Hailey, Idaho, U.S.—died November 1, 1972, Venice, Italy), American poet and critic, a supremely discerning and energetic entrepreneur of the arts who did more than any other single figure to advance a “modern” movement in English and American literature.Pound promoted, and also occasionally helped to shape, the work of such.
Ezra Weston Loomis Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry. He became known for his role in developing Imagism, which, in reaction to the Victorian and Georgian poets, favored tight language, unadorned imagery, and a strong correspondence between the verbal and musical qualities of the verse and the mood it expressed.
Pound’s poem thematically sustains one conclusive identification of this modern woman as “our Sargasso Sea” (Selected Poems of Ezra Pound, page 16 (line 1)). The author taints conventional imagery; in an ironic contrast to the ocean’s typical life-giving symbolism, this female’s stationary lifelessness parallels a select depository of the North Atlantic.
Imagisme, in so far as it has been known at all, has been known chiefly as a stylistic movement, as a movement of criticism rather than of creation. 1 This is natural, for, despite all possible celerity of publication, the public is always, and of necessity, some years behind the artists’ actual thought. Nearly anyone is ready to accept “Imagisme” as a department of poetry, just as one.
Ezra Pound labored for forty years writing his modern epic, called simply THE CANTOS, which is similar to calling a big novel, Chapters. Although his structure was modeled on the ancient western epics, his style and voice remained essentially lyric in the Imagist tradition of his early poetry.
Seth Enoch November 19, 2017 Survey of American Literature II Dr. Kimmarie Lewis Ezra Pound: The Father of Modernism Ezra Pound has been deemed one of Poetry's most important contributors. (Remembering Poets, 1). T.S. Eliot and Donald Hall both believed Ezra Pound to be the biggest influence on poetry of his time. (Poetry.org, 1).
The lecture introduces the poetry of Ezra Pound. Tensions in Pound’s personality and career are considered, particularly in terms of his relationships with other poets and his fascism and anti-capitalism. The poem “The Seafarer” is examined as a quintessentially Poundian project in its treatment and translation of poetic forms.